How to Get the Best Performances on Video

Aug 6, 2025

The engineer shifted from foot to foot, stumbled over his words and his eyes darted all over the room.

Yet, the client insisted that this particular engineer be featured in the company video about a new polymer used in artificial joints. So we shot take after take while the poor guy fumbled with a knee joint.

A week later, we sent an initial cut of the video to the client, who noticed that the engineer had been holding the knee joint upside down and backward the entire time. There was no money in the budget for another out-of-town trip to redo the shoot so we edited it so the engineer could be seen only from the chest up. This was a long time ago while working for another agency, but this disaster has stuck with me.

Video is an incredibly compelling medium, but it can be jarring when it’s done poorly. We’ve all seen enough movies and TV to expect good production values and performances to notice when they’re missing.

And they’re often lacking in one of the most common forms of marketing video — the ones featuring a company spokesperson or leader. Typically, the subject appears alone onscreen, often sitting on a chair or stool or at their desk, talking to an off-camera prompter whose voice is not heard. These videos often are used to introduce a new product or service or as an introduction to the business.

Unlike media interviews, these videos are entirely under the control of the client. Done well, they can be highly effective; done poorly, they can give the company and executive a black eye.

Here are some tips for avoiding black eyes – and get the best performances on video:   

Don’t force it. Some people, like that engineer, simply will never be comfortable on camera, so don’t put them in front of one. No amount of coaching or reassurance will get these people to relax so find someone who is more comfortable.

Take your time (but not too much). Rushed video is bad video. Give the subject some time to relax on the set and get used to the surroundings. Of course, CEOs often are in a hurry so the crew should respect their schedule.

Use multiple takes. Interviewees often feel pressured to nail it on the first take and that causes undue pressure. Remind them that they’re not live and they can do it as many times as it takes to get it right. Also, most videos are pieced together from the best parts of multiple takes. Most importantly, reassure them that the audience will see only the final version.   

Prepare the subject. Go over the subject matter beforehand and share the material with the interviewee well before the shoot so they can be familiar with it. However, be careful that they do not memorize it in order to avoid sounding scripted.

Incorporate the question in the answer. Because the interviewer is unheard and offscreen, the viewers won’t know the question being asked of the subject. So if you ask the CEO, “What was your first job?”, make sure he doesn’t answer, “Waiter.” Instead, he should say, “My first job was as a waiter.” That way, the audience can follow the thread.  

Establish a rapport between the interviewer and interviewee. Even though the interviewer will be unseen and unheard in this style of video, they’re the person with whom the subject is talking and maintaining eye contact throughout the video. They are the anchor for the subject. The two should spend a few minutes together before the shoot to get comfortable with each other and establish a link.

Be nice. In most cases, the interviewee is looking for reassurance from the crew, if not overtly, then subconsciously. An impatient or unfriendly interviewer, sound tech or videographer can give off negative vibes that rattle the subject and ruin the interview.

Hire a stylist. I’ve had executives balk at the idea of someone applying a little powder to their brow, but the alternative can be a spokesperson so shiny-faced that the glare obscures the message. Stylists also can advise on appropriate clothing and spot faults, like a crooked tie.

Follow these tips, make sure the knee joint is right side up, and you should get a video that makes you and the CEO proud.

Jim Sweeney

Jim Sweeney brings more than 35 years of experience in public relations and journalism to his role as Senior Account and Content Director at Amendola. As someone who has worked in both industries, Jim understands the demands and expectations of clients, making him a dynamic and valuable team member. He spent 25 years as a reporter and editor for daily newspapers, including 17 years at the Cleveland Plain Dealer. In addition to news and features, he also reviewed books and wrote essays and columns. Notable career accomplishments include creating the first magazine designed specifically for the iPad during his time at a startup. He then made his way to Advanstar where he led a team of 14 writers for various medical magazines, then served as editor of Medical Economics. Prior to Amendola, he created content and managed PR programs at The Adcom Group for a variety of clients, including Cleveland Clinic, Lubrizol Life Sciences, Sherwin-Williams, and Kauffman Foundation. Jim earned his degree in English from Miami University. He is based in Cleveland, Ohio.