by Elizabeth Schwartz | Nov 24, 2021 | Blog
When I was a little girl, I always wanted to be a pediatrician. And a writer. I had no idea as an idealistic young lady that there wasn’t really a career that combined the two disciplines.
And when I learned how long I had to go to school to be a pediatrician, I leaned in a little more on the writing.
It wasn’t until I had leaned way into writing and four years of Journalism school that I got my first job at a multi-hospital research health system. I learned quickly that I could combine my three passions—helping people, healthcare and writing. I was not the one performing the lifesaving transplants, but through my writing I got to share the stories of two sisters who shared a lifesaving kidney transplant and encourage others to be organ donors. It was a great fit. I thought of it as writing. I had learned in Journalism school how to write a lead, a body and a close. I never thought of what I did as storytelling.
Then, as if it couldn’t get any better, I got a job as a writer at a pediatric hospital. I met awe-inspiring families struggling through unimaginable heartache but taking me along and allowing me into their lives to tell their story and show how they battled adversity with strength, bravery and grace.
I got to see the loving way nurses and doctors approached children and their families. I got to see the way parents looked bravely at their children and told them it was going to be OK even when they weren’t sure. I was humbled and grateful for each and every family. I remember thinking that I was so glad to be able to tell their stories but could never imagine being in their shoes. I had found my place: healthcare and writing. But then something happened that changed my perspective completely.
The Tide Turned
About two years into my job, I had children. My son and daughter are 18 months apart in age. When my daughter was six months old, she began to have seizures. We spent weeks in the hospital trying to find the root cause—from a brain tumor to epilepsy—what we found was that she had a stroke at birth and had cerebral palsy. When my son was two, he was diagnosed with autism. What had been unimaginable to me about the lives of those parents had become my life. We spent many days and nights with doctors, nurses, therapists—my colleagues—and now my child’s caregiver. I was the one of the parents that I had been writing about.
Why It Matters
My children have been a consistent source of joy and inspiration to me. I know that doesn’t make me unique as a parent, but when they were young, we journeyed through a lot together in ways I never thought I would experience. All the times I wrote those patient stories, I never knew one day it would be me.
I’m happy to report they are both thriving, active teenagers now. What I learned is that in some way for all of us, healthcare is personal. Whether it’s an aging parent, your own health challenges, or a child, when we walk through our healthcare system as a patient or a caregiver of a patient, it changes us.
For me, it changed the way I write. It changed the way I tell the story of the latest innovation in EHRs. It changed the way I appreciate the passion and selfless care that every single position in the healthcare ecosystem puts into what they do.
I think it’s easy as PR and Marketing professionals to get robotic and apathetic in the way that we amplify a brand or write a blog. What we should remember is that at the end of that journey is a real person with a real story. And you never know when that might be you. Write with your heart. Bring your own story in the passion you have for what you do. It will never steer you wrong.
by Jessica Smith | Sep 29, 2021 | Blog
In healthcare, we’re always talking about improving patient outcomes, clinical and financial outcomes, or even the mind-numbing phrase ‘operational outcomes,’ whatever that means. Recently, I’ve been thinking about the intersection of language and performance anxiety, and I keep circling around the concept of what I’ve been calling outcomes anxiety.
Our inability to control the future often manifests in an urge toward excess—the desire to subdue all unknown variables with an overwhelming volume of material. It’s the opposite of a strategic approach, and it’s unfortunately fairly common. Many healthcare companies err on the side of quantity rather than quality, assuming that whatever sticks to the wall will function just as well as an intentional choice.
I’ve seen 15-touch email campaigns delivering 18 assets on 11 disparate products; product lines with 85 fact sheets; website rebrands of hundreds of pages doomed to start over again in six months’ time. When you don’t know what will work, you try everything, right?
Wrong. This is always a bad idea, both for your company and your career—not to mention your mental health. Let me explain.
The Anxiety Spiral at Work
Most of us have at least a passing familiarity with the anxiety spiral when it comes to our daily lives. One asks oneself a reasonable question, which is immediately answered with the worst possible outcome and escalated to ever more dire hypotheticals. What if my child’s cough is a symptom of Covid? becomes she’ll miss school for two weeks and morphs into all the grandparents could die before you’ve even removed the thermometer from its case. The literature calls this catastrophic thinking.
Of course, given the pandemic, we’re all trying to grant ourselves extra leniency as we cope with our anxiety; after all, there are real consequences at stake. For my friends with clinical anxiety, however, the spiral is triggered a thousand times a day by the most mundane concerns: a meeting conflict, a late payment, an unreturned email. As a healthcare writer with generally deadline-driven anxiety, I try to stave off stress with the usual preventative measures: deep breaths and long walks.
At work, I notice that my worry tends to coagulate around long-term outcomes. I don’t have time to research this byline today becomes nobody will like what I write and morphs into this whole week will be a firestorm of horror before I’ve written the first paragraph. As the things we tell ourselves are mostly subterranean, it can be tricky to diagnose yourself with outcomes anxiety.
For me, it starts with the language.
Marketing Speak: The Original Social Distancing
Whenever I think about healthcare jargon, I remember listening to intake calls with one freelance writer who routinely strung together industry phrases without apparent concern for their meaning (or lack thereof). He asked questions like this: “So we leverage clinical intelligence efficiencies to thread the needle of those at-risk enterprise social determinants and optimize technology-enabled solutions to close the gap, right?” The subject matter expert he was talking to would pause for a moment, frown ever so slightly, and resume her explanation.
Even more puzzling was the reputation this writer had among marketing management. “He knows his stuff,” I heard time and again. This could not have been further from the truth, at least not in my opinion. While the final product of these intake calls was serviceable, particularly as SEO fodder, it wasn’t very good. His copy did not help readers understand a new concept, or elucidate product intricacies, or address how the company could help clients. It just put all the relevant jargon in a blender and served it up like an ambitious smoothie: empty calories, suspicious taste, but certainly filling.
Why do so many people talk this way on calls? I think they suffer from an acute case of outcomes anxiety, one that’s particularly endemic to marketing. When you don’t yet know what you need to, you worry about the ultimate outcomes of your work. Will the piece miss the mark? Will the audience click on your links? Will any of this result in sales?
That misguided writer was trying out all his phrases at once, hoping the cumulative effect would be impressive. Although he thought he sounded knowledgeable, he was too insecure to ask the useful questions, the kind that might be perceived as too simplistic: “So, how does this product help patients? How does it work?”
When I edit copy for a client, I try to eliminate marketing speak, and I often get pushback. People tend to believe that dense language sounds more professional, and it can be a struggle to help them understand that jargon is the enemy of clarity. By its nature, marketing speak is an agent of exclusion: it alienates readers who are unfamiliar with the terminology. This is not for you; this is for those who can decipher this code. What a pernicious myth! Readers should not have to decipher meanings, at least not in professional writing. It’s the writer’s job to deliver the message with grace and clarity.
Circumventing Your Own Outcomes Anxiety
In my experience, extra fluffy language is motivated by insecurity about the real value of what is being produced, and it shows in the piece. It’s also the first indication that you might have outcomes anxiety.
So, the next time you sit down to write, and your first paragraph is hogwash—or when you’re in a meeting, and everyone’s talking about peeling the onion on customer buy-in—try these tips:
Ground yourself in the practical. What is the point of this piece? What do we want this campaign to accomplish? Whenever you find yourself tempted to overcomplicate things—when you’re wrestling with how to deliver 18 assets in a logical order—it’s a sure sign that you need to go back to basics. Ask simple questions. People will thank you.
Insist on a plan. One of the best healthcare writers I know routinely frustrated the teams she worked with by refusing to write before a plan was in place. And not just any old plan, with a wishy-washy “we’ll use this later, definitely” rationale, but a good plan, with strong strategy, clear tactics, audience definition, a timeline, the whole shebang. Paradoxically, your outcomes will be better when you spend more time on the inputs, as that planning process eliminates the creep of outcome anxiety from infecting your work.
Kindly do the needful. At a former company, I had a lovely coworker from Bulgaria whose English was refreshingly creative. When she sent me an article to edit, she’d close with this line: “Kindly do the needful.” When you catch yourself beginning the anxiety spiral, try to focus simply on the task at hand. Do the needful. And then do the next needful. And so on.
Reclaim your joy. When we stop worrying about uncontrollable outcomes, we remember why we enjoy the work we do…and then we do it better. When I stop wondering whether a client will like what I write, I suddenly realize that I’m enjoying myself, and that I actually like to write. Who knew! Give yourself permission not to focus on the deadline, the reception, or the ultimate outcome. For thirty minutes at a time, focus on the fun.
by Chris Nerney | Jul 7, 2021 | Blog
Successful marketers are persuasive. Whatever their medium – print, audio, video – the content and messages they create consistently prompt their target audience to take action.
There are multiple schools of thought about effective marketing, not to mention plenty of marketing and copywriting “experts” (legit or self-proclaimed) willing to offer you their insights through books, online courses, subscription newsletters, and other revenue-generating vehicles. Many of them offer excellent advice.
But there also is a seemingly unlimited amount of free online advice offering sound tips and strategies for writing deeply persuasive marketing copy. The advice ranges from the theoretical to the practical. I’ve pulled together five that jumped out at me for one reason or another. They are in no particular order. Let’s get going.
Know your audience
OK, right off the bat I lied, which admittedly isn’t a great long-term marketing strategy. The truth is, this first item – know your audience – actually is the most important piece of advice on the list, which now (so far at least) has a semblance of order!
You simply can’t hone an effective marketing message if you don’t know who it’s intended to persuade. One copywriting advice guy I read says “the key to great copywriting is to like your audience.” I understand where he’s coming from, but I would instead suggest it’s better to understand your target audience, particularly their needs and pain points that could be addressed by your company’s products or services.
While liking them might help get you there, doing some research would be even more illuminating and productive. Another way to help sharpen your understanding of the target audience is to create a profile or persona based on demographic data.
Know your message (and tighten it)
You can’t market effectively if you 1) don’t know what you’re marketing and 2) how to explain it in various levels of detail. The latter can be particularly challenging for healthcare technology companies that have complex platforms or services. There’s a lot to explain! One cofounder I know told me he knows the exact moment when he loses potential customers as he tries to explain his startup’s technology: “I can see their eyes glaze over.”
Eye glazing is never a good sign. Make sure you can explain your technology – and, more importantly, what problems it can solve – clearly and concisely. That’s a struggle for some technologist entrepreneurs, which is why many of them hire marketing and PR professionals to help them shape and deliver their message.
Write about your audience (not about what you’re selling)
Your content needs to read as if you’re personally addressing your target audience, as if you can read their minds and are on their side. The best copywriting puts the focus on the needs of the audience, not the merits of a product or service. Yes, those eventually will have to be discussed, but only in the context of solving a problem for the potential buyer. At all times, it is about the customer. A lot of “you” in your marketing content goes a long way.
Write for your medium
How you write content for a 2,000-word white paper will be dramatically different than how you would write 150 words of web copy for a home page. People who sit down to read a white paper they downloaded have different expectations than those who are surfing around looking for something to interest them – or a solution to their problems.
For the former, you have room to delve into how your technology works, how it applies to various use cases, etc. You can geek out. In the latter case, your mission is to capture readers’ attention and keep them on your site. That requires the equivalent of emotionally hard-hitting ad copy that leads to data capture, lead generation, and potential customers.
Invite a conversation
Granted, you can’t do this with every marketing asset. But a steady social media presence can enable you to have an ongoing dialog with members of your target market. There may not be an immediate revenue payoff, but social media is about the long game. It’s for building relationships, encouraging engagement, learning about your customers, and establishing a consistent voice for your brand. Writing for social media should be relatively informal and conversational.
Conclusion
Marketers have more tools and channels than ever for connecting with existing and potential customers. To get the most out of your marketing strategy and efforts, you must understand your target audience, know how to talk to them (depending on the medium), know what to say to them, and be eager to listen and learn.
by Michelle Ponte | Jun 9, 2021 | Blog
In the 1994 book Bird by Bird, author Anne Lamott dispenses advice legendary among writers on how to write a draft worthy of hitting send. Her key gem (and the only piece of advice I recall after nearly 30 years): “Just write a “sh***ty first draft.”
That short sentence is the mantra that informs every article, case study, white paper, and…er, today’s blog post that I create. Writing on command can be challenging, especially for marketing, PR, and media relations professionals who produce copy on deadline about complex healthcare topics. There are times when that first sentence just won’t come to mind, making us fall prey to believing we have writer’s block.
However, after writing for a living for 20+ years, I no longer believe in so-called writer’s block. Why? Because that tired phrase suggests I don’t have control of the writing process. Hundreds of well-received articles, reports, and other papers would suggest otherwise.
What I finally figured out is once I write those first 100 throwaway words (okay, 200 or 300), I need to trust that the creative process will kick in sooner—rather than later—and lead me to a final, polished, client-worthy draft.
Even so, the writing process is never as easy or linear as we would like it to be. If I still can’t produce quality work after writing that terrible first draft, as Lamott suggests, I know it’s time to stop and redirect as quickly as possible. I find there are two primary reasons why writers get stuck, which are relatively easy to fix with the right approach.
Zero creative inspiration. You just came off a 12-hour writing jag, and now it’s time to do it all over again with a 2,000-word byline. While you may have a strong command of the topic and direction, you are getting stuck with the lead, introduction, or headline. This is a common stumbling block for writers because this is where your words need that spark to draw in readers. When this happens, I stop, switch gears, and do activities that will inspire creative thinking.
This typically involves browsing publications from other industries. A few of my go-to pubs are Fast Company and Wired, both of which have punchy headlines, good pacing, and well-structured articles. I also read current healthcare news for inspiration and comb through a desktop folder of well-written articles and reports I have saved for this specific purpose. I may even listen to an audiobook for a few minutes or do push-ups and squats next to my desk. The activity doesn’t matter, it just needs to help you shift from an analytical to a creative mindset.
No direction, and it’s due end of day. You have three interviews to sort through, conflicting directions from the client, and the outline in your head is spinning out of control. Been there, and yes, there is a solution. Take another look at the assignment memo or creative brief for clarity. If it still doesn’t make sense, rewrite it in your own words until it does. If guidance wasn’t provided, quickly write a creative brief for yourself that includes a one-sentence objective and three key takeaways (one sentence each).
Still stuck? Take it next level and write a one-page outline resembling the basic four-paragraph essay you learned in high school. The four-paragraph essay includes the headline and four paragraphs with topic sentences (the intro, two middle sections, and a conclusion.) After you have committed to this outline, add more paragraphs under each of the four sections and give them topic sentences as well. Drop chunks of information into each paragraph, finish that bad first draft, rename it, and move into the writing zone.
I also write down ideas in my notes app on my phone as they occur (knowing I will never remember them later), usually after a shower or before bed when I am more relaxed. Some of my best writing starts this way. Finally, I keep an editorial cheat sheet crammed with writing goodies, including a list of words and phrases I can grab and use to polish that final draft.
Need more tips to fix your writer’s block? Check out this blog from my colleague Morgan Lewis.
by Morgan Lewis | Apr 14, 2021 | Blog
Writing is drudgery for many people, which is part of the reason our clients let us do some of that writing for them. Often, the hardest part is just getting started, even if you write for a living.
As I’ve described before in this blog, at the start of a writing project we may become overwhelmed by all the information we want to include in our written content, or unsure of how we want to start, and it leads to procrastination and more stress. We end up either missing a deadline or we rush to put something out that could have been better.
The best recent advice I’ve seen about overcoming writing procrastination comes from an anecdote in the irreverent best-selling self-improvement book, “The Subtle Art of Not to Giving a F*ck: The Counterintuitive Approach to Living a Better Life.” In the book, author Mark Manson recounts a story of a novelist who had written more than 70 books. The novelist’s advice for how he is so prolific, according to Manson: “200 crappy words per day, that’s it.”
Of course, Manson points out, the novelist rarely stops at 200 crappy words because the action of generating those first few paragraphs motivates him to keep going. Even non-professional writers get in a rhythm and it can be as difficult to stop as it was to get started. The 200 crappy words almost serves as a warmup to the real workout of writing 1,000 or 2,000 words.
How to Get Started
Sometimes, however, even getting those first 200 words down is challenging; that is where research can be a big help. Simply going online to research the topic, even if it is something you are already very knowledgeable about, can be highly motivating because you will likely learn new information that will help support your content. Other times, research can reveal that a competitor or other thought leader has already written pretty much the same article or other high-value content. Don’t despair. You can read similar articles or content and then look for gaps in their information or it can inspire a different, fresher angle for your article, white paper or eBook.
The opposite dilemma can also occur. Sometimes there will be so much research and information, and so many topics you want to cover, that you cannot imagine how you will assemble it all into a coherent whole. Here is where outlining can help to get you started and keep moving.
The outline doesn’t need to be the precise order of the final draft; it is just to get ideas down. Simply list the topic heading you want to cover in a section, such as COVID-19, and under that heading list all the relevant ideas you want to include (e.g., effect on elective/preventive care, growth of telehealth, reimbursement changes from Centers for Medicare and Medicaid Services, etc.). Once you begin the bare-bones list, you will find that you want to add more and more detail and can begin to envision how the finished content will be structured.
From Outline to Draft
As opposed to writing an article from beginning to end, an outline lets you preview if the finished piece flows logically, if there are potential gaps of information, or if sections should be shortened. Recognizing these deficiencies in the outline stage saves writing, cutting and rearranging time in the long run. Once the outline is completed, writing the full draft simply means expanding each item in the list to full sentences and paragraphs. Depending on how detailed the outline is, writing the full draft may take much less time than expected.
With the full draft completed, the real hard part of writing begins: editing. Reading and re-reading what you wrote, cutting and rewriting for clarity is not as much fun as putting all the words together, but is perhaps the most important part of the process. Since editing means you are close to the finish line, that may motivate you to keep going.
Everyone Needs an Editor
Have you ever heard of Maxwell Perkins? Me neither. I found him through a Google search. Have you heard of F. Scott Fitzgerald, Ernest Hemingway or Thomas Wolfe? Me too. It turns out Maxwell Perkins edited all of these authors, and even convinced Wolfe to cut 90,000 words from the final draft of one of his novels.
I mention Perkins to point out that even the best writers need editors. Editing is not just for proofreading for typos, grammar and misspellings, either. Rather, an editor’s value is providing high-level, constructive feedback about the content, structure and readability of the content. Most importantly, the editor needs to look at the content through the eyes of your intended reader. Is it relevant to them? Will it make sense? Does one idea flow logically to another?
Just Write
So the next time you need to write, gather your information and just start writing. Whether it is full sentences or just a list of topics and ideas you want to include in the content, the act of getting 200 lousy words on the screen will save you stress and time in the long run – and likely result in a higher-quality finished project.
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