by Jack O'Brien | Oct 13, 2021 | Blog
Career changes are rarely easy, especially when you study a field throughout college and subsequently work in it following graduation.
In August, I left a respected healthcare trade journal after nearly four years and ‘crossed over to the dark side,’ as they say.
There were several professional motivations behind the move, but one that excited me about joining the world of public relations (PR) was that I had already worked with numerous agencies during my time on the editorial side.
As I’ve settled into my new role, I wanted to share four observations on the PR strategies that I found most effective while in my capacity as a journalist.
1. Understand who you’re pitching to
Every PR representative should take time to do their research on the journalists and outlets that they’re pitching.
In my time at the magazine, I primarily covered healthcare finance, policy, and revenue cycle, among a handful of other industry-related topics. Still, I received countless emails from aimless PR representatives pitching me everything from CBD oils to a historian for the band Aerosmith. (Yes, this actually happened.)
Even those that understood I covered the healthcare industry for an audience of payer and provider executives would occasionally float article ideas and interview opportunities that simply missed the mark.
If you’re looking to place a byline or secure earned media with an interview opportunity, make sure you know who you’re speaking with and why it’s worth their while. I always found myself most responsive to PR representatives who weren’t just looking for free publicity but could see down the field about how the interaction would lead to a greater result for both sides.
2. Get to the point (and have other options available)
The only thing worse than getting a random PR pitch that’s off-topic is being forced to read several paragraphs to find out it’s irrelevant.
Short, timely pitches are always winners. The pitch should tell me what the topic is, who can speak to it, and when they’re available.
Additionally, a pitch should offer flexibility for both the PR agency and the outlet. If you’re pitching a potential source as an expert on revenue cycle management but they can also speak to the price transparency regulations and the effects on provider organizations, mention that in your email.
You should be providing as many onramps as possible for a client to appear in a story.
3. Relay expectations to your client
Understandably, most clients probably don’t fully understand how the world of PR and media works. That’s fine, but you have to be the one who explains the dynamics at play so they’re not disappointed by outcomes that don’t match their expectations.
Not every interview is going on the front page of The New York Times, but every speaking engagement, written Q&A, or byline adds up to meaningful coverage.
Additionally, media training to refresh even the most charismatic leaders should be the standard. During interviews I conducted as a journalist, I learned quickly which PR contacts had adequately gone over their notes with my subjects ahead of time and which ones threw them headfirst into the fire.
Don’t leave your clients treading water; let them know what the opportunity is about, why they’re qualified to speak on the subject, and prepare them for any extraneous questions.
4. Create a conversation
Some of the most reliable PR contacts from my journalism days were people who didn’t just pitch me and disappear into the night.
They stuck around and actually engaged with me as normal people do. Whether this was sending the occasional email to see what stories I was working on, interacting with each other on social media, or reading my content, it kept them in my purview as I went about my job.
Additionally, whenever I had a story to write on a tight deadline, I knew I could reach out to these reliable PR contacts and get the appropriate sources on the line.
This doesn’t mean that you have to be chummy with every journalist you come across, (odds are they aren’t always going to chummy in response), but breaking down the at-times acrimonious barrier between church and state can be helpful.
I hope that these tips based on my understanding of how media outlets operate can provide the world of PR with some useful tips to be more effective in the work we do.
by Brandon Glenn | Jun 10, 2020 | Blog
Another year, another Cision “State of the Media” report.
The 2020 edition, which represents the 11th annual report in the series, surveyed more than 3,200 journalists from across the globe to provide a picture of today’s media landscape. While much of the yearly report generally reads like PR 101 for experienced public relations professionals, it often contains some nuggets of interest that are worth further reflection.
In that spirit, following are a few notes and observations after digesting the 29-page report:
COVID-19 did NOT change everything: In the marketing and public relations worlds, things can seem to change fast, so it can get easy to become caught up in the moment and lose a little long-term perspective. Don’t allow COVID-19 to let that happen to you. Yes, our professional lives during the pandemic are undoubtedly different in many ways, but lots of things in the media world remain largely as they were pre-pandemic. Email is still the preferred method of pitching. Journalists still want to hear from local and national experts who can offer perspectives that illuminate their audiences. To cut through the noise, pitches still need to be timely, relevant and targeted. These things are unlikely to change any time soon.
The media business continues to be brutal: The COVID-19 pandemic has exacerbated what was already a years-long trend of the media business shedding jobs. Journalism advocacy organization Poynter maintains a depressing and frequently updated list of recent industry layoffs that illustrates the severity of the problem. For reporters and editors, a lack of staffing and resources was cited in the Cision report as the biggest challenge they face. For public relations outreach, this presents a challenge as the number of media outlets continues to dwindle, but also represents an opportunity as individual journalists are under pressure to produce higher volumes of content and could use help finding stories.
Press releases are still relevant: In spite of its obituary having been written a number of times over the years, the humble press release remains very much alive. In fact, journalists who took the Cision survey cited the press release (36%) as the most useful of all brand sources, beating out spokespeople (19%), email pitches (13%) and company websites (12%). For marketing and communications professionals, this qualifies as great news: There is still a place in the world for the well-crafted, well-timed and appropriately targeted press release.
The major takeaway? The more things change, the more they stay the same. Given the barrage of news and information we’re confronted with on a daily basis, separating the signal from the noise is rarely easy for anyone let alone journalists dealing with budget cuts and shrinking staffs. Standing apart from the pack requires the same focus and commitment to timely and relevant messaging that it always has.
by Administrator | Dec 18, 2019 | Blog
Building relationships with journalists takes time. Smashing them to pieces takes little time at all.
One terrible, irrelevant pitch and you could end up on a journalist’s blacklist and that isn’t where you want to be. Because as any good media relations guru will tell you, we need journalists more than they need us.
To build strong relationships and maybe fix bad ones there are some basic rules of the road anyone out there sending pitches should follow, lest you end up in the SPAM folder where email goes to die!
Know What they Write and What Who they Write for Writes
Sometimes a good tongue-twister helps you to remember a basic principle such as this one do a little research! You need to know who the person and the publication is before you pitch him/her.
This seems like a no-brainer, but it’s actually one of the biggest problems editors run into. If they won’t accept company sources for stories and prefer to limit
themselves to end-users and customers, you need to know that. And, more importantly, you need to respect that.
No, you cannot change their mind. Instead, because you failed to know who you’re dealing with and respect their rules, you’ll just end up alienating yourself.
Give publications a call before you pitch them. Or, do what I do, drop a quick email with the subject like “Quick Question” and just ask what it’ll take to get a
story covered. And then take the response as a Commandment. It’s as simple as that.
Use the Medium of their Choice
Media relations people are told all the time “you have to make the calls!” Well, that’s true sometimes. And sometimes, it’s not true at all.
The fact is if it’s a solicitation or a pitch editors prefer email almost universally. That said, a quick phone call to remind them you sent one is probably OK for most editors. Don’t, however, overstay your welcome. Keep calls brief. And if an editor tells you they prefer email, keep to that avenue.
I have been yelled at on the phone once or twice for calling someone I shouldn’t have. My advice to avoid this is to 1) check your PR software, such as Cision, and read the notes to see if a journalist explicitly states that they prefer email; and 2) try to limit your calls to work numbers.
Just because you can get a journalist’s personal cellphone doesn’t mean you should call them on the same line. Like everyone else, they use their phones primarily to like baby photos on Facebook and to swipe left on Tinder mirror selfies. They probably don’t want a call on their personal line so don’t do it.
Don’t sound like Rachel From Cardholder Services during phone calls, and don’t make your emails look like marketing blasts. Talk and write to editors as if they are real people and as if you’re a real person (I failed to develop a good tongue-twister, but I tried).
Keep it Real
Keep it real. If you’re writing an email, keep it brief and just offer a story. Don’t drone on and on about a product and how great it is no one cares. And if you’re calling an editor, don’t jump into a monologue, because no one will listen.
Just try to have a conversation, weave in the most important information, and be yourself. If you don’t fall back on your personality, you shouldn’t be in media
relations.
People skills are a huge part of the job, and good people skills shine most when those people are being themselves.
by Matt Schlossberg | Sep 5, 2018 | Blog
Nothing fills me with existential dread like sitting down to write a media pitch.
Give me the sweet relief of an 800-word byline ghostwritten under a soul-crushing deadline. Bury me under the gigabyte of bone-dry peer-reviewed research I need to complete an immensely complex white paper. Let me spend eight hours hacking through a labyrinthine approval process just to get sign off on 400-word “new hire” press release.
Anything I do in the PR world is easier than convincing a stressed out and overworked journalist with a trigger finger on the junk file that my story is worth telling and doing it in under 100 very concise and very compelling words.
Below are what I believe to be the essentials of a good pitch, broken out by its main components. Following this advice is not going to guarantee a media hit for your client, but it will dramatically increase your chances.
The Subject Line. It’s true that many maybe even most pitches live or die based on the subject line, but that doesn’t mean you should panic and resort to dumb gimmicks in a bid to win a journalist’s attention. Expending way too many precious words to support a style of writing funny, hyperbolic or scare-quotes clever you can’t pull off wastes everyone’s time.
Think of it this way: The subject line is your pitch reduced to its simplest form. For that reason, I prefer to write my subject lines last. Good pitch writing usually leaves a lot of tasty leftovers that just couldn’t be fit into the final revision an interesting turn of phrase and a good word choice or two that didn’t make the cut can usually be repurposed into an effective Subject Line. If you feel you are really rusty, cut-and-paste your entire pitch, then slowly whittle it to its most essential elements.
The Opening Sentence. When I was a journalist, I was often surprised at the amount of “throat-clearing” in the pitches I received. I’m not a captive audience, dude! Into the trash you go!
If you have done your due diligence carefully researching the outlets and reporters that would be a good fit for your story you can avoid kicking off your story roughly 30 seconds after the newly formed Earth cooled.
Strategies will vary based on the story you are trying to tell, but I have had the most luck just telling the reporter what I want and why they should care: “Hey, [JOURNALIST], I’ve read your coverage on [TOPIC.] This [STORY] for [THESE REASONS] would be useful to your readers.”
If it sounds prosaic, that’s because it is. But by eliminating the throat-clearing, you can simply and honestly convey a.) your knowledge of the reporter; b.) your familiarity with how they have covered their beat; and c.) why your story is relevant to that coverage.
The Body. Most posts filed in the “pitching advice” genre emphasize the importance of brevity. And they’re right! Unfortunately, this can be taken to an extreme. A good pitch will offer a solid framework that the reporter can use to build the rest of the story. Use you pitch to cover the journalistic bases who, what, when, where, why and how. Add relevant links to your pitch to your sources LinkedIn profiles, evidence supporting your pitch idea and/or interesting industry trends, for example. Statistics relevant to a pitch help to ground it in reality. If you’re speaking about an end-user, be sure to provide specific numbers on the improvements they saw from using a solution. The more specifics, the better.
The Closer. A pitch should contain a clear call to action near the end, asking a reporter to specifically consider an interview or byline. A reporter may not be ready for this story right now, but politely ask them to keep you in mind for the future. Second, don’t be afraid to briefly offer to help a reporter with their coverage now and into the future. Many opportunities arise from relationship-building that starts with a single pitch. Lastly, always thank a reporter for their time.
Final Advice
Almost as important as knowing how to write a good pitch is to know when you don’t have anything to pitch. Not everything a client does is a story or warrants legitimate coverage.
This is where client management comes into play. Capturing inbound interview requests the sweet, sweet nectar of media relations is a long and painstaking process of developing a trusted relationship mostly over electronic devices.
Pitching writing is both an art and science which is part of the reason why creating them can be frustrating. Bad pitches are the kudzu of the public relations world, choking out good stories beneath an oppressive monoculture of bad faith and even worse writing. The problem is so pervasive that entire websites and Twitter feeds are dedicated to terrible pitches. However, devoting your energies to the right components of a pitch will ensure a greater level of success.
by Ken Terry | Jun 27, 2018 | Blog
Pitching stories is one of the essential skills of a PR professional. Yet it is surprising how many PR people neglect the basics of how to pitch what to whom. In most cases, a little thought and preparation can help PR pros avoid these kinds of mistakes. Yet they continue to be made on a regular basis, as any working journalist or editor can attest. Here are some common pitching errors and how to prevent them.
- Doesn’t know the publication. When a busy editor gets a pitch from a PR person who doesn’t know his or her publication, it’s an immediate turnoff. The pitch might be for a consumer story when it’s a business or trade publication, or the story might concern a sector of the industry other than the one that the magazine or website covers. In either case, the editor is unlikely to consider the pitch and will probably delete future emails from that publicist. To prevent this error, all you have to do is read sample articles in the publication or just glance at its home page.
- Doesn’t know the publication’s editorial policies. Even among trade publications, there is a wide range of different policies on how guest columns and news stories should be written. Some publications will not allow any mention of a client’s name or products. Others actively solicit promotional pieces (usually in exchange for ads), and there are variations in between those poles. The publications that take a strict stance against product promotion are more desirable for thought leadership, but some clients may want placement in publications that allow a mention of how their products helped their customers. The important thing is to know a publication’s editorial policies before pitching its editors. Usually, those policies are on its website. A PR firm should also ensure its writers follow these rules; if not, the publication may reject the piece.
- Doesn’t understand the publication’s slant. Depending on its audience, a publication might be looking for very specific kinds of stories and opinion pieces that cater to its readers interests. For example, a publication for CISOs will be receptive to pieces that focus narrowly on security but not on topics of general interest to CIOs, even though CIOs are also concerned about security. The editor will also look for trendy topics in that field, such as blockchain’s potential use in security. But if the publication has covered something frequently in the recent past, such as how to foil ransomware attacks, it may not be interested in that. To prepare for this possibility, do a keyword search in the publication’s archives or on Google.
- Doesn’t keep up with changes in direction. Some publications change their editorial direction, either because of a change in leadership or in response to market forces. Publicists should not assume that because a publication accepted certain kinds of pitches in the past, they will in the future. Keep up with what’s happening with key publications by reading them regularly, and also take note of personnel changes. When a new editor or journalist joins the publication, introduce yourself and ask what kinds of stories that person is looking for.
- Doesn’t pitch stories in a timely way. In the competitive field of journalism, timing is extremely important. If you pitch a news-related story too late, it will be rejected because no one is interested in that topic anymore. If a client has an important news story, it’s always a good idea to give key editors the news just ahead of its release on an embargoed basis. But don’t provide the release to just one editor, or the others will feel slighted and will remember that the next time you pitch them.
- Fails to present the pitch concisely and intelligibly. Any PR professional should know how to write a good pitch, but it is surprising how many emailed pitches fail that test. In some cases, they go on interminably before getting to the point. Other pitches are so poorly written that they’re difficult to understand. You should always remember that editors time is limited and that they may have to read hundreds of emails each day. Just as in a published article, a catchy headline and a cogent lead will go a long way toward getting an editor’s or journalist’s attention.
None of these mistakes are difficult to correct. With a fairly minimal effort, publicists can learn what publications want and how to deliver it. By doing so, they can vastly increase their chances of having their pitches accepted and of placing articles in sought-after publications.
